NOTES
• 2024 Manhattan Photo Awards
- Art Photography Honourable Mention
• 2024 Best Photography Awards
- Fine Art Photography Third Place
• 2024 Dodho Magazine
- Issue 26 Featured Photographer
• 2024 Dodho.com
- Unveiling the Secrets of the Forest: An Interview with
Paul Clarke, Landscape Photographer
Previously...
• DMA Award winner for online advertising (Egg)
• Cannes Cyber Lions finalist (Mini)
• Marketing Week Marketing Effectiveness Awards;
Best Campaign Winner (Tesco Clubcard)
• Created identity for F.A. 2006 World Cup bid.
• Design of first web site store for Diesel online.
• Senior Graphic Designer on controversial logo for
British Tourist Authority.
• Art Directors Club of New York Award Winner
• IPA Gold Award, European Regional Design Annual
- Certificate of Design Excellence
• Revolution Award - best use of CDROM
• BIMA and DBA awards.
• Daily Express Blue Riband Award
for Recruitment Advertising
etc. etc...
Paul Clarke (born 1959) is a landscape photographer and award-winning graphic designer and art director now based in Southern, England. Self-taught, inspired by a handful of contemporary Dutch and German woodland photographers after leaving London in 2010 for the Surrey Hills bordering West Sussex and Hampshire. Aspiring to make his living this way, but at this point is happy to be “At home in the forest but never quite out of the woods”.
For Paul, shooting in the quiet of the forest there is an awareness of intimacy,
of unique and solitary moments shared that he looks to convey in the work, often combining and editing images to present another view of a secret, mood, moment of anticipation or a sense of movement.
Artist and photographer Terry Cripps observes; “The picture is not over when you have pressed the shutter. Paul’s work shows a mastery of creative editing, using the photograph as a beginning, as a canvas to later add atmosphere and a sense of storytelling. A quiet corner of a glade has mystery, one can almost smell the undergrowth and the leaf mould.
Comparing Paul’s approach to that of Ansel Adams which, whilst very beautiful and packed with energy through his mastery of B/W was never the less static, where Paul’s work has an air of something is about to happen.
I once spent several days trying to unravel his technique and gave up.
What looks so straight forward is quite the opposite.
AT HOME IN THE FOREST
NEVER QUITE OUT OF THE WOODS